Niki Brandner

I have the pleasure of being the editor of the DejaVue podcast, a technical web development podcast which covers all around the JavaScript framework Vue.js. Episodes are usually between 30 and 60 minutes long and are recorded remotely, with the two hosts and sometimes guests joining from different locations. My responsibilities include cutting the video, mixing the audio, and ensuring that the podcast has a professional and polished sound. Episodes are released on a weekly basis, and I work closely with the hosts to ensure that the content is engaging and informative. Even though the time schedule can be tight due to the necessary recency of some episodes, both, the hosts and the audience, are satisfied with the video and sound of the edited podcast episodes.

A stunning project I had the honour to be part of was the proof of concept short film "Cry Me an Ocean". The film is an environmental thriller, featuring a talented indigenous lead, various artists, stunt-people and other film professionals. My responsibilities included mixing and mastering of the film in close collaboration with Bob Yothers, the director of the film. CMAO is currently in the global film festival circuit.

It was a privilege to record and mix an episode of the podcast "Frames" which highlights the experiences of queer people in the Netherlands. Through my work on this project, I was able to bring attention to important stories and amplify the voices of those who are often marginalized.

As the mixing engineer for Tim Bennik's talk "Alive and Kicking: A Vue into Rock & Roll!", I was responsible for mixing his backup tracks to let his guitar playing shine on stage in front of a packed audience of one thousand people.

My Massive X Techno Preset Bank is the ultimate tool for techno producers looking to take their tracks to the next level. With a diverse collection of cutting-edge sounds and advanced modulation options, you'll have everything you need to unleash the full power of your productions.